I know it's hard to believe but...
The premise is just what you probably guessed: Carlo Collodi's Pinocchio is a vampire slayer. He slays vampires with his wooden nose, repeatedly breaking it off to make new stakes.
The familiar characters are there: the Blue Fairy, Master Cherry, the Fox and Cat, the ghost of the cricket. Gepetto however has been killed by vampires before the story begins. (Poor Gepetto; first the shark, now this)
It's written by Van Jensen. Dusty Higgins both drew it and created the idea. As sole artist, Higgins would ordinarily be "penciller/inker/colorist", but that doesn't seem applicable to the black and white ink style he uses.
What you get
It's 128 black and white pages and essentially no filler. No 8 pages at the end of character drawings, though there is a 1 page bio at the end that covers both Jensen and Higgins.
It begins with a 1-page bow to Collodi's Pinocchio and an irreverent 3-page recap of it, for those who hadn't read the book. I had read it years ago, but the recap was still welcome.
Then it gets to the meat of the book: a noir-style-drawn vampire tale featuring the Real Boy himself.
This is a book that doesn't take itself too seriously. That was brought home to me when Master Cherry presents Pinocchio with his newest engine of vampire destruction, The Monsterminator. In a previous draft of this review I quoted the scene, but then I realized the words alone don't do justice to Pinocchio's reaction. It's not overtly silly, it's just something no serious book would have done.
This could easily have been a very dumb book. The noir vampire tale could easily have been played straight, which would have made for a dull, predictable tale. At times it seems about to fall into that trap, but it never quite does. Humor suffuses its pages. Not punchline humor - there are no jokes or gags - just a sense of fun about the kind of book it is.
The art is deliberately somewhat grotesque. The faces are blocky, and typically a quarter of the page area is ink-black. But Dusty Higgins' sense of form is strong. It raises the art from "blah" to "looks nice".